
Untitled ink drawing I did in 1980, which would've made me 17. Although my friends and family loved it, I was never a big fan of it, mainly because very little of it is original. The design layout is original, and the decorative "scrolling", and a few little nik-naks scattered throughout, but the majority of the images were copied (not traced, mind you) primarily from assorted stories in Zap! Comix and Heavy Metal magazine. However, it did take a long time to do. The workmanship I'm proud of -- I just wish it were all me, perhaps influenced (like who isn't?) by other artists, but not simply rearranging their ideas to a new form, and calling it art. So, it's a form of plagiarism. I've never kept it a secret, it's just that I never bothered to list the names of the artists who technically contributed. Looking at the complete image, I can say that these are the original artists whose images I recreated therein, and the number of images per artist in parenthesis: Victor Moscoso (2), Arthur Suydam (1), Barry Windsor Smith (1), Rick Griffith (4), Francois Thomas (1), Kenneth Smith (1), Alex Nino (1), Wendy & Richard Pini (1), and RobertCrumb (3).
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I prefer the "Oogah! Chacka!" version of "Hooked On A Feeling" by Blue Swede (originally by BJ Thomas).
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About a month ago I was at a friend’s house, waiting for him to join me in a ride to our church, to take care of some repairs there. As I sat at the table, I noticed a copy of the DVD FIREPROOF, a film starring Kirk Cameron (as Caleb). I knew it had a large appeal amongst the Christian family at large, and I knew several personal friends who’d seen it at the theatres and enjoyed it very much. Even the Duggar family, of “18 Kids and Counting” fame, had attended the movie premier, met Kirk Cameron, and came out claiming FIREPROOF to be “the best film ever made”. As a side joke, the editors at TLC did a split screen with the so-called top five (or ten?) films ever made, as opposed to what the Duggars felt were the top films, which was rather humorous indeed. And while I utterly disagree with the movie people who think that CITIZEN KANE is the best film ever made (truly deplorable IMHO), I also cannot possibly agree with the Duggar’s assessment of FIREPROOF.
However, it wasn’t as bad as I thought it was going to be. And to be honest, when my friend walked by the table and asked me if I’d seen FIREPROOF, to which I answered in the negative, to which he said “Every couple should see this film”, inside I cringed, “Oh man, now I’ve got to watch this sappy film”. But my friend is one of those sorts of people that, well, if they ask you to do something, you just do it. Anyway, I knew (or had a really good idea) that he had the DVD in his home specifically in the hopes of benefitting his daughter and her husband, who were in the midst of severe marital problems.Well, thankfully my friend and his wife were heading off for a three-week vacation, so I didn’t have to rush in watching this DVD. It lay on our coffee table for three weeks. And finally, last night my wife and I watched it. Here’s my assessment of FIREPROOF, and I’ll start with the bad new first (SPOILER WARNING):
CONS – It possesses all of the appearances of a LIFETIME or OXYGEN CHANNEL made-for-TV movie; this does not fare well with the effort to make high quality movies, that are equal in production, acting, direction, editing, etc., as “secular” films – and therefore is yet another testimony that Christian media is second rate; I was under the impression that all of the actors (with the slight possible exception of the woman who played Caleb’s wife – or am I just being lenient because she’s cute?) were specifically selected to make Cameron appear as a better actor than he really is – because their delivery was all very choppy, contrived, similar to the line-reading one expects from a corny sit-com. I realize, of course, that even some slightly below par acting can be made to look better via interesting editing, which this film lacked. And what is it with the Southern accents - -or lack thereof when it comes to Caleb? I mean, I’m Southern and I have an accent, but so did my mother and everyone I grew up with. Caleb somehow is devoid of the colloquial accent of which his parents and coworkers possess. Was this a case of avoiding the botch job that Kevin Costner did in his attempt to imitate a Massachusetts accent?
There were several scenes of what was intended to portray life in the firehouse, so as to make it more believable, i.e. the guy dancing in the bathroom and talking to his imaginary female conquest in the mirror, the hot sauce joke, the fixing the bed scene, etc., all of which, in my opinion could’ve been utilized either for character development, or to make the introduction of the Gospel a bit less affected than it was. I mean, presenting Christ in the Gospel is probably awkward most of the time anyhow, but this came off a bit artificial. The presentation of the Gospel to Caleb, via his father, and Caleb’s response in the positive, that he would trust God with his life was puzzling. I was wondering “which God is Caleb going to trust with his life?” There was no real explanation as to who God is other than the fact that Caleb is guilty of violating God’s law, and of pushing God to the margins, when God has done nothing but show Caleb love all his life. Maybe I’m expecting too much, but again, if there was less of the “useless” scenes in the film, more time could’ve been spent on giving a well-rounded presentation of the Christ in the Gospel.
The biggest disappointment was that, while Caleb was supposedly in the midst of following Christ, he is shown praying, smashing his computer to avoid pornography addiction, performing acts of kindness, standing in front of a cross in the middle of a field, but nowhere does he appear in the setting of public, corporate worship. Not even once. The church is conspicuously absent. Even while a collage of scenes accompanied by a contemporary Christian rock song, with words like “I will worship you” there’s no imagery displaying worship. There’s not even a sign of clergy, except at the very end, with the renewing of vows, and that done outdoors (not that there’s anything wrong with that). It’s true that the building isn’t the church, but the church does meet in buildings, and these buildings have a sacred use, and that is to temporarily contain and protect the members of God’s covenant family during the worship of God.
PROS – While I’ve already complained about the made-for-TV appearance of the film, in another way, perhaps unintentionally, there was a genuine feel to what the film-makers were doing, in that it doesn’t focus on emotionalism (though there are certainly some emotional parts) as a means of Charles Finneyesque (curse him!) manipulation. The camera is rarely in close-up mode, giving a stark feeling to the awkward and uncomfortable moments that Caleb and his wife are experiencing, especially the scene where Caleb’s wife is home from work, in bed, and Caleb confesses his sins against her.
There appears also, to be what might be a valuable tool, to help any couple to either keep things in the good, or to stem a bad tide – specifically the “Love Dare” book. I’ll have to check out the http://www.fireproofmymarriage.com/ site to see if it’s available there. And while I perceive my marriage as being in good shape, and for that matter, probably better than most, I was convicted of not loving my wife as much as I ought to -- the way that Christ loves the Church. As the saying goes, there’s always room for improvement. So there it is. It took me three weeks to get around to seeing it, but I’m glad I did finally, and I’d suggest it to anyone.
I agree with my friend, that every couple (or anyone) could benefit in seeing this film - -not because it’s great film-making, but because it has a good message.
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It appears there is some more severe ugliness coming from the anti-Calvinist bunch on Youtube. The disciples of Monica Dennington are mounting bizarre and unbecoming attacks upon sites that are not sympathetic to the foolish rants of Ms. D. There was a bit of a "meeting" held between myself and several other Reformed Christians on Youtube about just how to respond to these tactics. Several attempts at offering the olive branch to Monica have been attempted by various people, all met with silence, and blocking any opposing views on her site. The wise consensus of the meeting was to keep proclaiming the truth, and let the Lord deal with Monica and her herd of detrators.
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Monday I will begin the new issue of Table Talk magazine, for the month of June; I'm almost finished with the second reading of John Gerstner's "Wrongly Dividing the Word (A Critique of Dispensationalism)"; I'm in Isaiah 46 and Titus 1 in my readings.





